{"id":72,"date":"2022-12-10T17:07:00","date_gmt":"2022-12-10T14:07:00","guid":{"rendered":"https:\/\/kesikkalem.com\/index.php\/2022\/12\/10\/beijing-review-december-1-2022\/"},"modified":"2024-03-17T00:16:22","modified_gmt":"2024-03-16T21:16:22","slug":"beijing-review-december-1-2022","status":"publish","type":"post","link":"https:\/\/kesikkalem.com\/index.php\/2022\/12\/10\/beijing-review-december-1-2022\/","title":{"rendered":"Beijing Review – December 1, 2022"},"content":{"rendered":"

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All Exchange Translates Into Wealth (Her t\u00fcrl\u00fc de\u011fi\u015f toku\u015f servete d\u00f6n\u00fc\u015f\u00fcr)<\/b><\/span> adl\u0131 yaz\u0131 Beijing Review – Dergisinin December 1, 2022’de 40. sayfas\u0131nda yay\u0131nlanm\u0131\u015ft\u0131r.<\/b>  \u00c7inli yazar Mo Yan, 11 Ekim 2012’de Nobel Edebiyat \u00d6d\u00fcl\u00fcn\u00fc kazan\u0131r. \u0130spanyol dilbilim ve edebiyat profes\u00f6r\u00fc Juan Jos\u00e9 Ciruela, tam \u00fc\u00e7 y\u0131l u\u011fra\u015farak bu kitab\u0131 \u00c7inceden \u0130spanyolcaya \u00e7evirir. \u00c7eviride ya\u015fad\u0131\u011f\u0131 s\u0131k\u0131nt\u0131lar\u0131 da anlatarak, as\u0131l dilden yap\u0131lacak \u00e7evirinin daha \u00f6nemli oldu\u011fu \u00fczerine d\u00fc\u015f\u00fcncelerini a\u00e7\u0131kl\u0131yor. G\u00fczel, ho\u015f bir sohbet.<\/span><\/p>\n

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\u0130spanyol bir terc\u00fcman, daha iyi literat\u00fcr \u00e7evirisinin daha fazla kar\u015f\u0131l\u0131kl\u0131 anlay\u0131\u015f olu\u015fturabilece\u011fine inan\u0131yor (Wang Bowen taraf\u0131ndan haz\u0131rlanm\u0131\u015ft\u0131r).<\/span><\/b><\/p>\n

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                                     Her t\u00fcrl\u00fc de\u011fi\u015f toku\u015f servete d\u00f6n\u00fc\u015f\u00fcr<\/span><\/b><\/p>\n

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\u00c7inli yazar Mo Yan, 11 Ekim 2012’de Nobel Edebiyat \u00d6d\u00fcl\u00fc’n\u00fc kazand\u0131\u011f\u0131 haberini al\u0131nca \u00e7ok sevindi. Avrupa’da \u00e7ok uzaklardan izleyen Granada \u00dcniversitesi’nden dilbilim ve edebiyat profes\u00f6r\u00fc Juan Jos\u00e9 Ciruela, yeni \u00f6d\u00fcll\u00fc ki\u015fiyi ara\u015ft\u0131rmaya ba\u015flad\u0131. Ciruela, Mo’nun On \u00dc\u00e7 Ad\u0131m [Thirteen Steps] <\/span>adl\u0131 roman\u0131n\u0131n \u0130spanyolca \u00e7evirisini \u00fc\u00e7 y\u0131l sonra yay\u0131nland\u0131.<\/span><\/p>\n

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\u00c7inceden do\u011frudan \u00e7eviri<\/span><\/b><\/p>\n

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Ciruela, roman\u0131 \u00e7evirmenin ilgin\u00e7 bir zorluk oldu\u011funu s\u00f6yl\u00fcyor. Mo, Nobel \u00d6d\u00fcl\u00fc’n\u00fc ald\u0131ktan sonra eserlerinin \u00e7o\u011fu \u0130spanya’ya tan\u0131t\u0131ld\u0131. Ancak, \u00e7o\u011fu \u00f6nce \u0130ngilizceye, sonra da o dilden \u0130spanyolcaya \u00e7evrildi\u011finden, orijinal n\u00fcans\u0131n \u00e7o\u011fu kayboldu. Bu nedenle \u0130spanyol yay\u0131nevi Kailas, On \u00dc\u00e7 Ad\u0131m’\u0131 do\u011frudan \u00c7ince’den \u00e7evirmek i\u00e7in Ciruela ile ileti\u015fime ge\u00e7ti\u011finde, g\u00f6revi hemen kabul etti. Ciruela, k\u0131sa bir s\u00fcre i\u00e7inde a\u011f\u0131r bir i\u015f y\u00fck\u00fc gibi zorluklar sunsa da, modern \u00c7in edebiyat\u0131n\u0131n yayg\u0131nla\u015fmas\u0131na k\u00fc\u00e7\u00fck bir katk\u0131 yapmak istedi.<\/span><\/p>\n

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On \u00dc\u00e7 Ad\u0131m, 1980’lerde \u00c7in’deki entelekt\u00fcellerin ve sosyal ya\u015fam\u0131n durumunu anlatmak i\u00e7in abs\u00fcrd sanat\u0131n\u0131 kullanan bir romand\u0131r. B\u00fcy\u00fc, abartma ve kendi kendine konu\u015fma atmosferiyle kar\u0131\u015fan ger\u00e7ek\u00e7i olmayan bir ton al\u0131r. Ciruela i\u00e7in \u00e7eviri s\u00fcreci her zaman sorunsuz de\u011fildi.<\/span><\/p>\n

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\u00c7evirmen, CICG Americas taraf\u0131ndan ayl\u0131k olarak yay\u0131nlanan \u0130spanyol China Hoy dergisine verdi\u011fi r\u00f6portajda *’\u00d6zellikle g\u00f6revin ba\u015f\u0131nda \u00e7e\u015fitli zorluklarla kar\u015f\u0131la\u015ft\u0131m*’ dedi. \u201c\u00d6zellikle bu roman, \u00e7evirmenin olay \u00f6rg\u00fcs\u00fcne ve karakterlere indi\u011fi bir \u00f6n okuma s\u00fcrecine ihtiya\u00e7 duyar, \u00e7\u00fcnk\u00fc roman\u0131n s\u00fcrekli y\u00fckseltti\u011fi d\u00fcnyaya ilk ba\u015flarda girmek zordur. Bu y\u00fczden roman\u0131 \u00f6nce \u00c7ince okudum, t\u00fcm bu ayr\u0131nt\u0131lara dikkat ettim ve t\u00fcm bunlar\u0131n \u0130spanyol okuyucular\u0131n anlayaca\u011f\u0131 bir \u015fekilde nas\u0131l terc\u00fcme edilebilece\u011fine dikkat ettim.\u201d<\/span><\/p>\n

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Ciruela i\u00e7in \u00e7eviri yaparken en \u00f6nemli kriter orijinal metne sadakattir. Ki\u015finin her zaman tam anlam\u0131yla sad\u0131k kalamayaca\u011f\u0131 do\u011fru olsa da, \u00e7evirmenlerin orijinal metinlerden \u00e7ok uzakla\u015fmamalar\u0131 gerekti\u011fine inan\u0131yor. \u00d6rne\u011fin, k\u00fclt\u00fcrlerin \u00e7evirisi (k\u00fclt\u00fcr\u00fcn dildeki ifadeleri), \u0130spanyolca ve \u00c7ince aras\u0131ndaki k\u00fclt\u00fcrel u\u00e7urum nedeniyle olduk\u00e7a karma\u015f\u0131kt\u0131r. Ciruela, bunlar\u0131n her \u00f6zel durumda ve anda metin i\u00e7inde yerine getirdikleri belirli i\u015fleve her zaman uygun olmas\u0131 gerekti\u011fine inan\u0131r.<\/span><\/p>\n

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\u00c7in ile yak\u0131n ba\u011flar<\/b><\/span><\/p>\n

Ciruela’n\u0131n \u00c7ince’ye olan ilgisi, bir \u00fcniversite \u00f6\u011frencisi olarak d\u00f6v\u00fc\u015f sanatlar\u0131 okumaya ba\u015flad\u0131\u011f\u0131nda ortaya \u00e7\u0131kt\u0131. \u00c7in k\u00fclt\u00fcr\u00fcn\u00fcn bu k\u0131sm\u0131yla ilk temas\u0131ndan sonra, k\u00fclt\u00fcr\u00fc daha iyi anlamak ve ileti\u015fim kurabilmek i\u00e7in dili incelemeye karar verdi. “Zamanla \u00c7ince \u00f6\u011frenmek beni tamamen b\u00fcy\u00fcledi ve e\u011fitimimin \u00e7ok \u00f6nemli bir par\u00e7as\u0131 haline geldi” dedi.<\/span><\/p>\n

\u00dcniversite e\u011fitimini bitirdi\u011finde \u00c7in’de dil \u00f6\u011frenmeye devam etmeye karar verdi ve bunu \u0130spanyol H\u00fck\u00fcmeti’nden ald\u0131\u011f\u0131 bir burs sayesinde yapabildi.<\/span><\/p>\n

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“1987’de \u00c7in’e gittim. O y\u0131llarda Pekin bug\u00fcnk\u00fcnden \u00e7ok farkl\u0131 bir \u015fehirdi” diye an\u0131ms\u0131yordu. \u201dGeleneksel \u00c7in t\u0131bb\u0131 okuyacak olan meslekta\u015f\u0131m Juanjo Ibanez ile seyahat ettim. Bizi havaalan\u0131ndan ald\u0131lar ve Pekin Dil Enstit\u00fcs\u00fcne (\u015fu anki Pekin Dil ve K\u00fclt\u00fcr \u00dcniversitesi) g\u00f6t\u00fcrd\u00fcler. \u015eehri havaalan\u0131ndan, neredeyse hi\u00e7 araba olmadan, sokaklarda \u00e7ok say\u0131da bisikletin hareket etti\u011fi geni\u015f caddeler boyunca ge\u00e7ti\u011fimi hat\u0131rl\u0131yorum; ayr\u0131ca Pekin Dil Enstit\u00fcs\u00fcndeki ilk g\u00fcnler, ilk \u00c7ince dersleri, ilk yabanc\u0131 arkada\u015flar. K\u0131sacas\u0131, her g\u00fcn yeni bir \u015fey ke\u015ffettik’ ve her \u015fey heyecan verici ve yeniydi.”<\/span><\/p>\n

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1990 y\u0131l\u0131nda, Ciruela \u00c7in’deki \u0130spanya B\u00fcy\u00fckel\u00e7ili\u011fi’nde s\u0131nava girdi ve 2002 y\u0131l\u0131na kadar s\u00fcrd\u00fcrd\u00fc\u011f\u00fc resmi \u00c7ince m\u00fctercim ve terc\u00fcmanl\u0131k birinci pozisyonunu elde etti. G\u00f6r\u00fc\u015fme d\u00f6nemin \u0130spanya B\u00fcy\u00fckel\u00e7isi Eugenio Bregolat ile \u00c7in D\u0131\u015fi\u015fleri Bakan\u0131 Qian Qichen aras\u0131nda ger\u00e7ekle\u015fti. Daha sonra, 1993 y\u0131l\u0131nda, d\u00f6nemin \u0130spanya Devlet Ba\u015fkan\u0131 Felipe Gonzalez \u00c7in’i ziyaret etti\u011finde, \u00c7inli liderlerle yapt\u0131\u011f\u0131 g\u00f6r\u00fc\u015fmelerde ona Ciruela e\u015flik etti.<\/span><\/p>\n

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Juan Jos\u00e9 Ciruela, <\/u>Mart 2016’da \u0130spanya’daki Granada \u00dcniversitesi’ndeki ofisinde<\/u><\/span><\/div>\n

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(\u00dcstte) Kapak<\/u><\/span><\/span><\/div>\n
Mo Yan’\u0131n yazd\u0131\u011f\u0131 On \u00dc\u00e7 Ad\u0131m (<\/u><\/span>Thirteen Steps)<\/u><\/span><\/span> roman\u0131n\u0131n \u0130spanyolca versiyonu<\/u><\/span><\/div>\n

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Daha fazla ilgi<\/span><\/b><\/p>\n

2002’de Ciruela \u0130spanya’ya d\u00f6nd\u00fc ve Granada \u00dcniversitesi’nde \u00c7ince \u00f6\u011fretmeye ba\u015flad\u0131.<\/span><\/p>\n

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\u0130spanyollar aras\u0131nda \u00c7in diline ve \u00c7in’e daha fazla ilgi oldu\u011funa dikkat \u00e7ekiyor. ”\u00c7in, bug\u00fcn 20 y\u0131l \u00f6ncesine g\u00f6re \u00e7ok daha fazla. Bug\u00fcn \u00c7ince \u00f6\u011frenen binlerce \u0130spanyol \u00f6\u011frenci ve \u00fcniversite i\u00e7inde ve d\u0131\u015f\u0131nda \u00c7ince \u00f6\u011frenebilece\u011finiz onlarca merkez var\u201d dedi. ”Bu ayn\u0131 zamanda \u00f6nemli zorluklar da do\u011furuyor \u00e7\u00fcnk\u00fc \u00f6\u011frenciler giderek daha fazla haz\u0131rlan\u0131yor ve e\u011fitimlerine devam etmek i\u00e7in \u00c7in’e gitmeye daha istekli hale geliyorlar.”<\/span><\/p>\n

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Son on y\u0131lda, giderek daha fazla \u0130spanyol yay\u0131nc\u0131 kendilerini \u00c7ince kitaplar\u0131n yay\u0131nlanmas\u0131na adad\u0131 ve b\u00f6ylece iki \u00fclke aras\u0131ndaki k\u00fclt\u00fcrel al\u0131\u015fveri\u015fe katk\u0131da bulundu. Ciruela, “Baz\u0131 \u0130spanyol yay\u0131nc\u0131lar\u0131n \u00c7ince kitaplar\u0131 yay\u0131nlamak i\u00e7in g\u00f6sterdikleri \u00e7aba takdire \u015fayand\u0131r,” dedi. Ne kadar \u00e7ok terc\u00fcme edilirse ve ne kadar iyi terc\u00fcme edilirse, iki k\u00fclt\u00fcr\u00fcm\u00fcz hakk\u0131nda o kadar kar\u015f\u0131l\u0131kl\u0131 anlay\u0131\u015fa sahip oluruz.<\/span><\/p>\n

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Ciruela, her iki y\u00f6nde de \u00e7eviri yapmak i\u00e7in bir\u00e7ok \u00e7aban\u0131n sarf edildi\u011fi edebiyat alan\u0131ndaki al\u0131\u015fveri\u015fi takip etmenin yan\u0131 s\u0131ra, \u00c7in’i ve onun karma\u015f\u0131k ger\u00e7ekli\u011fini daha iyi anlamaya yard\u0131mc\u0131 olacak ba\u015fka t\u00fcrde kitaplar\u0131n yay\u0131nlanmas\u0131n\u0131 da \u00f6neriyor. *\u0130spanyol okur kitlesinin de bilgilenmesi ve \u00c7in ger\u00e7e\u011fini daha iyi anlamas\u0131 i\u00e7in \u00c7in \u00fczerine her t\u00fcrden daha fazla ara\u015ft\u0131rma yap\u0131lmas\u0131 gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyorum. Bu \u015fekilde \u00c7in’e bak\u0131\u015f a\u00e7\u0131m\u0131zda h\u00e2l\u00e2 devam eden baz\u0131 yanl\u0131\u015f anlamalar\u0131n \u00f6n\u00fcne ge\u00e7ilebilece\u011fini d\u00fc\u015f\u00fcn\u00fcyorum” dedi. “Her t\u00fcrl\u00fc de\u011fi\u015f toku\u015f servete d\u00f6n\u00fc\u015f\u00fcr.”<\/span><\/p>\n

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Ciruela’n\u0131n \u015fimdilik bir \u00e7eviri projesi yok, ancak posta yoluyla herhangi bir sipari\u015f almaya a\u00e7\u0131k. Asl\u0131nda, Tang Hanedanl\u0131\u011f\u0131 d\u00f6neminde (618-907) \u00c7ay\u0131n Bilgesi olarak bilinen Lu Yu taraf\u0131ndan yaz\u0131lan ve d\u00fcnyan\u0131n en kapsaml\u0131 \u00e7ay ansiklopedisi olarak bilinen Cha Jing’in (\u00c7ay Klasi\u011fi) \u00e7evirisini yeni bitirmi\u015ftir. \u00c7in ve b\u00fcy\u00fck olas\u0131l\u0131kla d\u00fcnya. \u00d6n\u00fcm\u00fczdeki aylarda yay\u0131mlanaca\u011f\u0131n\u0131 umuyorum,” dedi.<\/span><\/p>\n

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G.P. wilson taraf\u0131ndan kopyalan\u0131p d\u00fczenlenmi\u015ftir.<\/span><\/p>\n

Beijing Review – December 1, 2022<\/span><\/p>\n

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NOT: Bu T\u00fcrk\u00e7e \u00e7eviri metin, “resmi \u00e7eviri” de\u011fildir ve makine \u00e7evirisi kullan\u0131lm\u0131\u015ft\u0131r. Gerekli yerlere m\u00fcdahale edip, farkl\u0131 s\u00f6zl\u00fcklerden de yararlan\u0131lm\u0131\u015ft\u0131r.  Tamamen amat\u00f6r ve meraktan kaynakl\u0131 bir \u00e7eviridir. Bu yaz\u0131 10 Aral\u0131k 2022’de  https:\/\/okuramayazamaz34.blogspot.com<\/a> adl\u0131 siteye eklenmi\u015ftir.<\/span><\/p>\n

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  All Exchange Translates Into Wealth (Her t\u00fcrl\u00fc de\u011fi\u015f toku\u015f servete d\u00f6n\u00fc\u015f\u00fcr) adl\u0131 yaz\u0131 Beijing Review – Dergisinin December 1, 2022’de 40. sayfas\u0131nda yay\u0131nlanm\u0131\u015ft\u0131r.  \u00c7inli yazar Mo Yan, 11 Ekim 2012’de Nobel Edebiyat \u00d6d\u00fcl\u00fcn\u00fc kazan\u0131r. \u0130spanyol dilbilim ve edebiyat profes\u00f6r\u00fc Juan Jos\u00e9 Ciruela, tam \u00fc\u00e7 y\u0131l u\u011fra\u015farak bu kitab\u0131 \u00c7inceden \u0130spanyolcaya \u00e7evirir. \u00c7eviride ya\u015fad\u0131\u011f\u0131 s\u0131k\u0131nt\u0131lar\u0131… Daha fazlas\u0131n\u0131 oku »Beijing Review – December 1, 2022<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_ti_tpc_template_sync":false,"_ti_tpc_template_id":"","footnotes":""},"categories":[314,333,335,334,336],"tags":[640,641],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/posts\/72"}],"collection":[{"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/comments?post=72"}],"version-history":[{"count":1,"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/posts\/72\/revisions"}],"predecessor-version":[{"id":228,"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/posts\/72\/revisions\/228"}],"wp:attachment":[{"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/media?parent=72"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/categories?post=72"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kesikkalem.com\/index.php\/wp-json\/wp\/v2\/tags?post=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}